Category Archives: Underwater

Underwater Macro – The SONY A7RII with the SONY FE 24-70mm f/4 ZA OSS lens

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After testing the SONY FE 24-70mm f/4 ZA OSS extensively (I did over 200 dives with this lens already), I have to say - it's a pretty good setup for Lembeh! It gives me the flexibility of shooting a wide range of subjects and I'm not stuck with a macro or a wide-angle setup. I can shoot critters that are very small - I cannot fill the frame with a hairy shrimp, but when using an extra macro wet-lens (like the SubSee +5 or Nauticam SMC), I can fill the frame with subjects the size of around 1-2cm (around 1/2 inch) in Super35 mode. When shooting in full frame mode @24mm I get vignetting from the flat port, but I can shoot at the 32mm range of the lens without vignetting and shoot subjects the size of around 30 cm (1 foot) right in front of the port (I'm using a Subal Type4 flat port on a Nauticam NA-A7II housing with a Nauticam to Subal adapter).

I used the Nauticam SMC only for subjects smaller than 3cm (1 inch), for subjects between 3-8cm (1-3 inches) I used the SubSee +5 and everything larger than 8cm (3 inches) I was able to shoot without having to add an extra wet-lens.

 

Here are some example shots:

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Soft coral with a pygmy cuttlefish shot with the SONY A7RII and the SONY FE 24-70mm f/4 ZA OSS @32mm in FullFrame mode - F9, 1/60sec

©SaschaJanson_20160329_00015

Soft coral with a pygmy cuttlefish shot with the SONY A7RII and the SONY FE 24-70mm f/4 ZA OSS @69mm in Super 35 mode - F9, 1/160sec

©SaschaJanson_20160329_00019

Soft coral with a pygmy cuttlefish shot with the SONY A7RII and the SONY FE 24-70mm f/4 ZA OSS @68mm in Super 35 mode and 1x SubSee +5 diopter - F9, 1/160sec

The 24-70 is very sharp - even at smaller apertures.

Here are some Lightroom screenshots:

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Coconut Octopus (Amphioctopus marginatus) @42mm, f14, 1/60sec, ISO250

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Same image like above at 100%

Here's a shot @31mm - on the top left the port is still visible, that's why in full frame mode the lens has to be at @32mm (at least with my setup)

©SaschaJanson_20160327_00028

Coconut Octopus shot with the SONY A7RII and the SONY FE 24-70mm f/4 ZA OSS @31mm in full frame mode, f14, 1/60sec, ISO 320

Here's a short video shot with the A7R2 and the SONY FE 24-70mm f/4, for best viewing experience watch in 4K:

When shooting video I also use the Clear Image Zoom function of the A7R II - then I can shoot very small stuff like the Costasiella kuroshimae, also known as the "Shaun the sheep nudi" with the 24-70mm lens (with an additional Nauticam SMC) and I can fill the frame @70mm in Super35 mode with subjects smaller than 1cm in size - pretty amazing! 🙂

 

Don't get me wrong, I still use other lenses and the 90mm macro is a "must have" lens in Lembeh, but the 24-70 is also a very nice lens for shooting macro and even super macro in the Lembeh Strait (when combined with a flat port).

This test was done while diving with Critters@Lembeh Resort.

Critters of the Lembeh Strait | Episode 06 – 2016 – Reef Diving in Lembeh

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The Lembeh Strait is famous for all the weird critters, but there are as well colourful, thriving corals at many of the dive sites. This video shows the fantastically diverse coral at our nearby dive sites, where you can ‘have it all’ and see not only famous critters but also beautiful reefs. I couldn’t resist and had to include a few scenes of critters, shot with a fish-eye though :-). Best watched in 4K!

SEA WARS – The Skeleton Shrimp Strikes Back

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Make sure your sound is turned up for this epic underwater battle between the tiny skeleton shrimps and the ‘massive’ sea hare. Will Luke Skeleton Shrimp save his young from the sudden attack? Watch ‘The Skeleton Shrimp Strikes Back’ to find out!